![la haine french movie la haine french movie](https://i.pinimg.com/originals/80/a2/63/80a263b613ad6eabd389d1f8c204f8ea.jpg)
This is significant because a similar tribute is portrayed in the beginning of the film. Malik was brutally beaten by the police to death when he tried to escape from being jailed by his involvement in the demonstration.
![la haine french movie la haine french movie](https://img.youtube.com/vi/FKwcXt3JIaU/0.jpg)
The bill was about choosing University students by requiring them to compete for the entrance of the university. Please use Google Chrome and right click the page to translate into English, to be able to read the descriptions of the videos. The incident that inspired the film was the death of a 22 year old Franco Algerian, Malik Oussekine in 1986 which occurred during a demonstration against the bill the Devaquet project. There have been many such cases in the French Police departments, but these two were significant. Mathieu Kassovitz, the director, started writing the script of the film in 1993 after being moved by the deaths of two youths caused by police brutality. The society keeps on telling its self “so far so good, so far so good…it is not how you fall that matters, but it is how you land.” This represented the director’s metaphor for the suburb of Banlieue which is a large city in France that Kassovitz thought, it will come to its ruins caused by a social time bomb. The film is symbolized by a ticking clock and by Hubert’s story about a society on its way down. I will give a background of the film and also describe the characteristics of French new wave the can be seen in the film. Superbly acted and brilliantly executed, La Haine will tear through you like a bullet.In this blog, the discussion will be on the connections of La Haine, a modern film with French new wave.
![la haine french movie la haine french movie](http://www.thecine-files.com/wp-content/uploads/2017/12/Spence1.jpg)
Taghmaoui also turns in an outstanding performance, offering comic relief to balance the otherwise unbearable tension. Playing Vinz, Cassel radiates with a blistering intensity throughout, while Koundé offsets him with a cool self-assurance.
#LA HAINE FRENCH MOVIE DRIVER#
Despite a meditative pace, there are shades of Scorsese in his kinetic camera moves, and in a scene lifted straight from Taxi Driver where Vinz poses in the mirror with a gun, snarling, "You talkin' to me?" Evidently Kassovitz sees things in black and white, which might explain his choice of a striking monochrome print.īut it's the conviction and bold invention with which Kassovitz tells the tale that makes it utterly compelling. This is a fatalistic account of society's decline and it's plainly one-sided - the only cop who shows sympathy for the "troubled youth" is ineffective among an army of bigots and bullies. "A FATALISTIC ACCOUNT OF SOCIETY'S DECLINE"Ĭounting down 24 hours, Kassovitz never gives the illusion of a happy ending. It's left to Vinz's cohorts, the jocular Saïd (Saïd Taghmaoui) - also Arab - and subdued African boxer Hubert (Hubert Koundé) to talk him out of his bloody plan as they embark on a loafing odyssey from the immigrant neighbourhoods to the big city. Delving into the generational, racial, and class divides of his native France, Kassovitz offers a fearless - if unreservedly pessimistic - attack on the frontlines of power.ĭuring a riot in the outskirts of Paris, police beat an Arab teenager (Abdel Ahmed Ghili) into a coma, fuelling a fire of hatred inside Vinz (Vincent Cassel) - a Jew who swears to "whack" a cop if the boy dies. The result is an explosion of scathing social commentary and dynamic storytelling. Writer-director Mathieu Kassovitz butts European urbanity up against American street style as kids clash with cops in suburban Paris. It's been labelled French cinema's answer to Boyz N The Hood, but La Haine (Hate) has a flavour all of its own.